Wednesday, June 13, 2012

George Krevsky
Art of Baseball
continues

Robert Marosi Bustamante
Lincecum's Stride

The George Krevsky Art of Baseball exhibit continues at 550 California St. until mid July.

posted by Phil Gravitt

Tuesday, June 5, 2012

Nina Katchadourian
Seat Assignment
Catharine Clark Gallery


Wigeon

I stumbled across Catharine Clark Gallery in the alley next to SFMOMA. The name sounded familiar, so I asked if they used to be somewhere else. Turns out they moved to 150 Minna Street five years ago from 49 Geary. So much for my motto, "Always on the Pulse of the Local Art Scene."

Katchadourian's creativity is boundless. She is possibly the most productive airline passenger ever to ask for more peanuts. Many of her photographs may have been staged right on her tray table, using airline magazines overlaid with peanuts, straws, black fuzz, whatever.


Self Portrait in the Flemish Style

Lavatory lines are already too long, however her photos and videos of Lavatory Self Portraits in the Flemish Style are worth the wait.


Gorilla Sweater

The Katchadourian show closes on June 9. If you go in the next 48 hours, suggest wearing fireproof suit and welders helmet left over from recent eclipse viewing, as I had to wade through a Milky Way of flying sparks to get to the Gallery.

The molten light show eminated from the middle of the street, where McGyver was adapting the ends of large black metal pipes with a power saw.

Upon further review, my clothes are intact; the sparks just seemed closer than they were. I'm sure Katchadourian would have captured the sparks and turned them into something special.

posted by Phil Gravitt

Sunday, June 3, 2012

16th Avenue & Moraga
Tiled Steps Project

For a little exercise, great views and beautiful tile work, visit The 16th Avenue Tiled Steps Project in San Francisco. The 163 tiled steps are an extention of Moraga Street between 15th and 16th Avenues, leading to Grand View Park.

The project was started in 2003 and completed in 2005. The design for the steps was created by local SF artists Aileen Barr and Collette Crucher. The San Francisco Parks Trust, now called the San Francisco Parks Alliance, sponsored the project, with the support of the Golden Gate Heights Neighborhood Association.

There are plenty of landings on the stairway for resting on the way up. The 10 to 15 foot wide open space on either side is filled with an interesting variety of plants, donated and planted by many people and groups, including the San Francisco Succulent and Cactus Society.

It is kind of amazing to think of the time, effort and cooperation it took to create this project, and still takes to maintain it.

It is worth a trip, or just an easy and fun detour off 19th Avenue if you are passing through.

Factoid: There are more than 1000 public stairways and paved paths in the Bay Area.

posted by Phil Gravitt

Saturday, June 2, 2012

INTERNATIONAL ORANGE:
The Bridge Re-imagined

Kids from 2 dozen SF public schools reimagine and recreate the Golden Gate Bridge with artworks in various medium.
Through August 4 at the Mills Building, 220 Montgomery Street, San Francisco.

The exhibition curator is Richard Olsen. Presented by The San Francisco Arts Education Project in cooperation with the Golden Gate National Parks Conservancy.

posted by Phil Gravitt

Friday, May 25, 2012

"Phantoms of Asia' at the Asian Art Museum




The new show at the Asian Art Museum is at the top my my Memorial Day Weekend picks but the rest of the shows around the bay ain't half bad either. The "Cult of Beauty," the V&A's tribute to Victorian arts and crafts is still at the Legion while the de Young features several shows, including one showcasing the cutting edge prints of Roy Lichtenstein and Claes Oldenburg. There is art from Nigeria at the Cantor and SFMOMA is hosting the first of many tributes to the Golden Gate Bridge which celebrates its 75th anniversary this year.

The red lotus that was just installed in the Civic Center Plaza is the outside symbol of an exciting, exhausting and bold exhibit inside the Asian Art Museum, now located inside the revamped  Beaux Arts building that formerly housed the old San Francisco Public Library.

http://www.examiner.com/article/take-an-art-break-this-memorial-day-weekend

Friday, May 18, 2012

Last Day
Best of DoubleClick
SF City Hall Gallery

Last day for Best of DoubleClick photo exhibit at SF City Hall Gallery. You can vote at the same time.

posted by Phil Gravitt

Friday, May 4, 2012

“Scapes”
Elena Zolotnitsky
Paul Mahder Gallery

This solo exhibition of new oil paintings showcases Zolotnitsky's skill at portraying emotional facial expression with limited facial detail.

The show runs through June 12 at Paul Mahder Gallery on Sacramento Street in SF.

The first two weekends in June, Zolitnitsky is participating in East Bay Open Studios, in Berkeley.

Paintings Tolstoy Cuture (left) and Nude on Green (right) shown above from artlondon.com

posted by Phil Gravitt

Thursday, May 3, 2012

Buckminister Fuller at SFMOMA


To boldly go where no man has gone before," might have been Buckminster Fuller's motto, which is well demonstrated by the current show at the San Francisco Museum of Modern Art (SFMOMA). While not a retrospective, there is more than enough to overwhelm the visitor.
http://www.examiner.com/article/bucky-fuller-s-utopian-vision

Wednesday, May 2, 2012

On Apology
CCA Wattis Institute for Contemporary Art

On Apology is a study on the now prevalent spectacle of the public apology, and is produced by the graduating class of the Graduate Program in Curatorial Practice at the CCA Wattis Institute. The exhibition consists of two floors of video, several walls of text, and a 20 page paper handout.

The videos I found most intriguing were Australian Shaun Gladwell’s Apologies 1-6, six videos running a total of 27 minutes. I saw two of the six videos. In each one, the camera is looking down a different two-lane road blurring and stretching into the desert. A road kill kangaroo lies in the gravel on the left side of the road, fairly close to the camera, and in focus.

In one video, a white tractor trailer and a smaller black vehicle are coming up the road. A motorcycle rider dressed completely in black, riding a black motorcycle, crosses the screen and appears to almost run over the kangaroo. As the motorcycle rider parks nearby and walks toward the kangaroo, it becomes clear that the film is in slow motion and the distances are distorted.

The rider looks like he is almost standing over the kangaroo, however he walks about thirty feet back to the kangaroo from his motorcycle. The tractor trailer and black vehicle, which were close when the film started, are taking forever to get closer.

The motorcycle rider carefully looks over the body of the kangaroo, gently touching its head while brushing away flies. The rider's slow motion hand movements suggest he is wafting incense in a religious ceremony. Eventually the rider picks up the kangaroo and wanders out into the road, as if apologizing for what had happened before he arrived.

Gladwell didn’t stage the kangaroos; each sequence was filmed where the kangaroo was found.

In addition to Shaun Gladwell, the exhibit includes works by Erick Beltrán, Mark Boulos, Keren Cytter, Omer Fast, Ragnar Kjartansson, Amalia Pica, Slavs and Tatars, Cassie Thornton, Dawn Weleski, and Artur Zmijewski.

Photo from Apology To Roadkill 2007, Sydney Morning Herald

CCA Wattis Institute for Contemporary Art On Apology
April 19 to May 19, 2012
Upper and Lower Galleries, Kent and Vicki Logan Galleries
1111 Eighth Street (at 16th and Wisconsin)
San Francisco

The CCA Wattis building appears to take up the whole block. Many rooms are just walls open to the high ceiling, reminiscent of a short, modern Cow Palace, except with wonderful natural light. Flash mob classes take place in the large wide center of the hall running the length of the building. Chairs, display tables and rolling billboards are moved into place for a class, and when it is over, people and equipment disperse quickly in all directions.

Some displays and projects from various design and graphics classes remain along the side walls. I walked along about 15 feet away, squinting while trying to make out the detail in each one without disturbing the small classes nearby.

One architectural model caught my eye. A large walled patio, built of tan cement, was populated with several white three-legged plastic tables, green and yellow shrubs, colorful curved rocks, and dark pools. Half the patio was shaded by a leaning wall awning above. I wondered why there were no chairs with the tables.

As I got further away, I looked back and realized it was an empty pizza box.

Parking is a little tight at CCA. If you don’t live close enough to walk, and don’t have a bicycle or motorcycle, take a cab. If you drive, I recommend a Smart car with curb feelers, a low profile windshield wiper, and the bumpers removed.

posted by Phil Gravitt

Friday, April 13, 2012

Friday night boogie at the de Young

It's Friday night and you just got paid? Well, if not, no matter because many of the Friday night events at the De Young are free! You can see a fashion show, watch a film or boogie to music by the Fashion Slaves who perform originals, including "Suffer for Fashion" and "Loud-Mouth Girl" along with their version of "Going Down."

http://www.examiner.com/museum-in-san-francisco/weekend-picks-friday-night-at-the-de-young-botanical-gardens-oakland-museum?CID=examiner_alerts_article

Saturday, March 31, 2012

The Fashion World of
Jean Paul Gaultier:
From the Sidewalk to the Catwalk


Experience the fun and lively atmosphere of the DeYoung’s gargantuan Jean Paul Gaultier fashion exhibit. This King Tut Haute Tutu show is in the Herbst Special Exhibition Galleries downstairs, instead of the upper gallery sometimes remade into the world’s darkest dress shop for past fashion exhibits.

There is so much to take in, the DeYoung might need a golf cart to take absorption overload zombies back to their cars.


Gaultier creates wild and outlandish designs with incredible artistry and intricate detail, and somehow makes them look comfortable and sensible at the same time. Why put a bow there when whiskers are available?

The exhibit includes quite real animated mannequins, a large number of video screens, sketches, photos, and a moving runway of mannequins. Many collections are represented, including Mermaids, Hussars, Chic Rabbis, and Russian. Get up close and see the fabric is really 1000 hours of beadwork.

Mermaids photos above from Pinterest and Fashionising

Night of the Iguana photo below from nearfardarklight

posted by Phil Gravitt

Wednesday, March 21, 2012

Parallel Visions at Creativity Explored

 You Are Unemptiable by Louis DeMarco © 2010 Project Onward

Parallel Visions, the latest exhibition at Creativity Explored Gallery, shows work by artists from five different arts and disability organizations in conversation with work made by selected artists at Creativity Explored. The resonance felt between these artists, working in disparate studios across the globe, is uncanny and inspiring.

This show assembles a group of artists who emphasize drawing processes and repetitive mark making to create their work. A range of artwork is on view, though three distinct themes emerge: abstract works; figurative ink drawings; and, work comprised of poetic text and number systems.

More at: http://www.examiner.com/museum-in-san-francisco/parallel-visions-at-creativity-explored?CID=examiner_alerts_article

Thursday, March 15, 2012

Weekend Picks: Chinese Historical Society, Mail Art, Intersection for the Arts


One of Jake Lee's watercolors of "Old Chinatown" now showing at the Chinese Historical Society (image courtesy Chinese Historical Society).
In the early 1960s, restaurateur Johnny Kan commissioned a series of water color paintings by artist Jake Lee. For many years, these stunning paintings hung in the private Gum Shan (“Gold Mountain”) dining room of the landmark Kan’s Restaurant in San Francisco’s Chinatown.

The fascinating back story at the NY TImes: http://www.nytimes.com/2011/02/11/us/11bcculture.html
http://www.chsa.org/

More weekend picks at: http://www.examiner.com/museum-in-san-francisco/weekend-picks-chinese-historical-society-mail-art-intersection-for-the-arts

Saturday, March 10, 2012

Dale Erickson, Pam Heyda, Sandy Yagi

It's not often that three of my artists friends are showing their work at the same time.

Dale Erickson. Lemons and Reflections. ArtZone 461, SF

Pam Heyda, Gum Drop Boat, Studio Gallery, SF

Sandy Yagi,  Hummingshrew, Watercolor on paper,  2012, 16 x 11-5/8 
The Bone Yard, Berkeley.

http://www.examiner.com/museum-in-san-francisco/weekend-picks-artzone-461-studio-gallery-the-bone-yard-and-more?CID=examiner_alerts_article

Friday, March 2, 2012

Weekend Picks; Letterpress in Oakland, Nieto Fine Arts, SF History Expo

 John A. Nieto, photographs now at Nieto Fine Arts

From John A. Nieto's statement: "There’s an energetic match that’s unique to every photographer and their “work”. Because most of my images are fleeting moments of my life, they are a certain testament, or reflection of my attitude on life. A pathway to my beliefs. "

"I’ve often wished to photograph dancers and as I watched and participated in a night swim recently, I became mesmerized by the drama the underwater pool light cast and how it adds so much mystery to the beauty of witnessing a human body in full motion. These moments became the dancers I’ve hoped to photograph contained in the “Aquatic Ballet Series” shot in Palm Springs, California."

More at:
http://www.examiner.com/museum-in-san-francisco/weekend-picks-letterpress-oakland-nieto-fine-arts-sf-history-expo