Saturday, October 2, 2010

Nancy Ewart at Open Studios: October 15, 16, 17

 
Nancy Ewart. Dangerous Waters. Oil on canvas, 22 x 20. 2010

Open Studios coming up: Opening Reception October 15 from 6-9
Open to the public on Saturday and Sunday, October 16 & 17 from 11 to 6
689 Bryant St, SF, Studio 27
Accessible via public transportation - some parking in the neighborhood

Thursday, September 30, 2010

Open Studios 2010

I will be showing the second weekend (Nancy Ewart, SOMA Arts, 689 Bryant St, 5th & Bryant, #27) and I hope that the rest of the contributors to this blog will add their information.

2010 SF Open Studios

Gala Weekend

ArtLaunch 2010: 7-10 p.m. Sat. More than 400 works for sale, open bar and hors d'oeuvres. $35 advance, $40 at the door.

Exhibition opening reception 4-7 p.m. Sun. Admission free; cash bar. Both events take place at SOMArts Main Gallery, 934 Brannan St., S.F.

Weekend 1: Oct. 9-10: Bernal Heights, Castro, Duboce, Eureka Valley, Glen Park, Mission, Noe Valley, Portola

Weekend 2: Oct. 16-17: Bayview, Excelsior, Financial District, North Beach, Potrero Hill, Russian Hill, SoMa, Tenderloin

Weekend 3: Oct. 23-24: Buena Vista, Diamond Heights, Fort Mason, Haight, Hayes Valley, Marina, Mount Davidson, Ocean Beach, Pacific Heights, Richmond, Sunset, Twin Peaks, West Portal

Weekend 4: Oct. 30-31: Hunters Point Shipyard and Islais Creek Studios

Studios are open 11 a.m.-6 p.m. For more information, go to www.artspan.org.

Monday, September 20, 2010

Independent Publishing: Where's It At?

FREE arts workshops tonight, tomorrow night, and next Saturday (9/25) in SF: (via Ramona Soto)


Independent Publishing: Where's It At?
Monday, September 20, 6-8PM
Viracocha SF, 998 Valencia St. @ 21st. St., SF

What will rule publishing? Print vs. Internet? ... or are people even reading? How do you start and run your own small press? What literary events are happening? What spaces are available? How do you promote your lit'ry endeavor? Who's writing, who's reading, what's happening around the Bay Area?

•Mike Skott (Ink. Publishing http://www.inkonbooks.com/)
•Ramsey Kanaan (PM Press, http://www.pmpress.org/)
•Tony DuShane (Cherry Bleeds, http://www.cherrybleeds.com/)
•Deborah Grabien (Plus One Press, http://www.plusonepress.com/)
•J. Brandon Loberg (Performance poets, publisher of "The 16th & Mission Review")
•Ginger Murray (Whore Magazine - http://whoremagazine.net/)


Promoting Your Underground Art
Tuesday, September 21
Mission Comics & Art, 3520 20th St. x Mission St., 6-8PM
How to promote your event on a limited budget, and on the edge of propriety.

•Evan Karp (QUIET LIGHTNING Reading Series, http://qlightning.wordpress.com/)
•Bix Warden (Bookings/Outreach, Mission Control, http://missioncontrolsf.org/)
•Doctor Popular
•Caroline Thompson (promotions for Broadway musicals "Wicked," "Peter Pan," etc.)

Also: PLEASE DO COME TO SF next Saturday: Wonderful Expo for Independent Arts with workshops galore!! PLEASE SHARE!

Writing for marketing, PR, grant proposals, storytelling and more
10:30-11:30 (CELLspace, 2050 Bryant St. SF)
Dalya Massachi, author, Writing to Make a Difference
Josh Wilson, co-founder, Independent Arts & Media

Social networking
11:45-12:45 (CELLspace, 2050 Bryant St. SF)
Emily Goligoski, arts and culture writer
Therese Davis, Songbird Festival founder
Kwan Booth, writer, editor, cultural curator
Johnny Funcheap, founder, FunCheapSF
Gregory Stock, arts promoter

Community collaboration and project documentation
2:30-3:30 pm (Sports Basement, 1590 Bryant St, San Francisco, CA)
Wendy Testu, Project Director, Welcome to the NeighborHOOD
La Constance Shahid, Project Coordinator, Welcome to the NeighborHOOD
Lise Swenson, filmmaker
Gregory Stock, arts promoter

Online fundraising
3:45-4:45 pm (Sports Basement, 1590 Bryant St, San Francisco, CA)
David Hunt, co-founder, Circus Bella
Michael Stoll, SF Public Press
Lisa Lee, Hyphen
Irene Kao, Hyphen

* * * *
Concurrently:
1:00-4:00 pm (CELLspace, 2050 Bryant St. SF)
SFAC’s Face Time

Thursday, September 16, 2010

"Getting Back to the Phantom Skill"

This promises to be a very interesting series of columns in the NY Times: "Line by Line" will be a 12 week series by James McMullan which readers are encouraged to follow with pencil and paper in hand.

Tuesday, September 14, 2010

Viva Mexico - Celebrate Mexico's Bicentennial on Friday at the De Young (And it's Free!)

September 16th marks marks the day in 1810 when Mexico began its war of independence against Spain, an event that triggered similar uprisings across the Western Hemisphere.

In September 1810, rebels in the central state of Guanajuato were secretly planning an uprising against the Spanish when their plot was discovered. As Spanish troops moved to arrest conspirators, one of the them, priest Miguel Hidalgo, realized the moment for revolution was upon them.

Before dawn on Sept. 16, 1810, Hidalgo rang the church bell to gather residents in the town of Dolores, and then delivered a famous call to arms known as the grito, or shout.

The war lasted 11 years before Spain finally gave Mexico and Central America its independence. The territory included what is now California, Arizona, Nevada, Utah, New Mexico, Texas, and parts of Wyoming and Colorado.

Tonight at 11, Calderón will ring a bell in the Zócalo Plaza and recite the names of Hidalgo and other independence heroes. After each name, the crowd shouts Viva!— long may he live.

The event, which is repeated by mayors and governors across Mexico, has become an annual sign of hope, said Oriel Gómez Mendoza, a historian at Michoacan University.

Read more at
http://www.examiner.com/museum-in-san-francisco/nancy-ewart

Saturday, September 11, 2010

Fecal Face - 10th Anniversary Show


If you like a certain type of SF 20-something hipster-yipster-trend (probably with trust fund) kind of art, Fecal Face is throwing a party to celebrate their 10th anniversary.

From SF Fist:
Fecal Face Dot Com, the premier and inexhaustible arts and culture site, are having their mammoth 10 Year Anniversary Show tonight. The exhibit at the Luggage Store Gallery features some of SF's favorite artists, and the after-party at Mezzanine will include performances by Kelly Stoltz, Sonny Smith, and Ty Segall, and DJ Ted Shred.
6 to 8 p.m. // Luggage Store Gallery (1007 Market St) // free
9 p.m. to 2 a.m. // Mezzanine (444 Jessie St) // $8, suggested donation
http://www.fecalface.com/SF/index.php/good-stuff/2080-fecal-face-dot-com-10-year-anniversary-show

SF Chronicle review: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/09/08/NSPA1F6K57.DTL&type=art

Saturday, September 4, 2010

Cézanne: part of the Post Expressionist exhibit opening later this month at the De Young.


 
A year after he died,  a major exhibition of Cezanne's works opened at the Salon d'Autumne in Paris. Picasso, Braque and Matisse were among those crowding into the show--and stealing his secrets. But they would never steal his grandeur. Rilke, too, was there. "Not since Moses," he wrote to his wife, "has anyone seen a mountain so greatly."

Full piece up at: 
http://www.examiner.com/museum-in-san-francisco/c-zanne-coming-to-the-de-young-september

Wednesday, September 1, 2010

Up and Coming for the fall

There's a comprehensive list of all the fall shows up at the Examiner.com website, along with a lot of other notices and reviews about art and daily posts - well, almost daily up at Chez Namaste Nancy (see sidebar for link).

http://www.examiner.com/museum-in-san-francisco/nancy-ewart

Ars Longa, Vita Brevis! 

Thursday, August 19, 2010

Cantor Arts Center: “Mami Wata: Arts for Water Spirits in Africa

Cantor Arts Center at Stanford University presents “Mami Wata: Arts for Water Spirits in Africa and Its Diasporas,” August 4, 2010 through January 2, 2011. This exhibition explores 500 years of visual cultures and histories of the water... Read more »
http://www.examiner.com/museum-in-san-francisco/nancy-ewart

Sunday, August 8, 2010

Maira Kalman
Various Illuminations
of a Crazy World

I first heard of illustrator, author and designer Maira Kalman when a friend forwarded her New York Times blog, about a trip to City Hall and a sewage treatment plant. Her funny, interesting and educational story was intermingled (intertwingled?) with paintings and photographs of what she saw along the way and at the plant.

The Contemporary Jewish Museum in San Francisco has an exhibit of Kalman's work, now through October 26. Like a good San Franciscan, I tried to take the Muni railway to the museum. But then there was a switching problem, followed by a few and far between bus and trolley problem, and then a full to the brim bus, trolley and cab problem. Finally made it to the museum about an hour and a half after I left.

As there is a lot of detail in Kalman's work, as well as plenty of reading of the several books accessible in the exhibit, I recommend going to the exhibit when one is fresh. Choose your mode of transportation accordingly.

The Kalman exhibit includes drawings, books, children's books, designs on clothing, objects that appear in her work, and short films. Photographs are also on display, including a series on free sofas on the sidewalk. Coincidentally, I had taken a similar photo below, just before boarding the train to nowhere. Somehow, Kalman's free sofa photos are so much more revealing.


My favorite of her books was "FIREBOAT, The Heroic Adventures of the John J. Harvey."

It is a wonderful combination of fun and history, powerful and inspiring.

by Phil Gravitt

Saturday, August 7, 2010

Upcoming: Klee, Keefer, Hauntings in Berkeley and water Goddesses at Stanford

Art viewing, research and writing in progress:




A new show at the Cantor Art Center in Stanford, featuring Africa art that honors the Goddess of Water.



A reprise of an  early Klee show at SFMOMA (opens August 8th)



Part three of my long essay on Anselm Kiefer at SFMOMA (part of the Fisher Collection)




French philosopher Jacques Derrida meets Berkeley: Hauntology at the Berkeley Art Museum

Thursday, July 22, 2010

A Whole Lot of New Stuff up

I've got several new posts up at Chez Namaste Nancy and the SF Examiner.com and it's not always the SAME stuff so take a few minutes and read what you may not have read already. I will be contributing on an infrequent basis to Venetian Red and will cross-post those essays to my own blog and the Examiner.

I'd like to remind the spanners who continually try to slip something in the comments section that comments are moderated and links in unknown languages or to porn/self-advertising sites will always be rejected.

http://cheznamastenancy.blogspot.com/

Monday, July 19, 2010

Views of Paris

If you cannot make it to the Legion or the De Young, try a free quick trip through the "Views of Paris" exhibition in the Concourse Gallery, 555 California Street, San Francisco. Paintings are from Le Trianon Fine Art, currated by Casey & Associates.

Wednesday, July 14, 2010

Toy Theater at MPD


"Toy Theaters, Worlds in Miniature"
Twenty-one rare toy theaters from around the world
at the Museum of Performance and Design
Veterans Building / 401 Van Ness Avenue / 4th floor
Open Wed - Sat, 12 - 5pm

I was lucky enough to get a private tour of this show with the curator, Bill Eddelman. His knowledge and enthusiasm for toy theater is infectious and I soon found myself imagining my own handmade dioramas. The assembled theaters, full of 2D actors and stage sets, tiny lights, toy furniture and paper moons, were mostly in glass cases - good thing because I had an irresistible urge to put my hands in them and start moving things around. Took me right back to childhood.

The theaters are from all over the world and the show is organized by country of origin. Mostly classical fairy tales and opera are represented, and they're mostly Victorian Era theaters (ranging from the 18th century to present.) Besides the constructed theaters, the walls are full of flat printed sheets of more paper-doll-like actors, backdrops and props.

For those of us who like to know what goes on behind the curtain, the construction and workings of the theaters can be seen from the sides. I was reminded of contemporary artists who have recently exhibited work with toy theaters - Sandow Birk and William Kentridge. And I couldn't help thinking that this is a art form that would appeal to the SteamPunk and Make crowds.

Actually, it appeals to me.

More photos at MPD's Flickr site.

Thursday, June 10, 2010

Holiday in Heaven


To visit the work of Robert Rahway Zakanitch in "From a Garden of Ordinary Miracles" at the Samuel Freeman Gallery in Santa Monica is to find oneself suddenly and unexpectedly adrift on a mighty cloud of joy: we're blessed, we're blessed, we're blessed, we are blessed.

There is a particular sensibility in this work, a way of looking at the world with love, a way of allowing magic and light to slip into your consciousness, which, along with the underlying tone of assuming the best in all of us, reveals a habit of mind that is enchanting:

Those who see all creatures in themselves
And themselves in all creatures know no fear.
Those who see all creatures in themselves
And themselves in all creatures know no grief.
How can the multiplicity of life
Delude the one who sees its unity?
These massive (96” x 72”) displays of flowers and creatures
(it's even more of a surprise in person!) allow one to become so absorbed in the experience of joyful seeing and awareness that one forgets oneself:
. . . in those moments when we forget ourselves—not thinking. “Am I happy? Am I having fun yet?” but completely oblivious to our little ego –we spend a brief but beautiful holiday in heaven.

But the forgetting is a sort of divine paradox, because in the forgetting, one feels most oneself in this intimate connection with nature and beauty and sheer goodness.

By “goodness,” you understand I mean moral goodness, and by “moral goodness,” I mean what is beautiful in the human spirit, from even the tiniest impulsive act of generosity or kindness or mercy. I mean take-my-hand goodness; I mean Gwendolyn Brooks’ “Maud Martha Spares the Mouse” goodness:

Maud Martha could not bear the little look.
"Go home to your children," she urged. "To your wife or husband."
She opened the trap. The mouse vanished.
Suddenly, she was conscious of a new cleanness in her. A wide air walked in her. A life had blundered its way into her power and it had been hers to preserve or destroy. She had not destroyed. In the center of that simple restraint was–creation. She had created a piece of life. It was wonderful.
"Why," she thought, as her height doubled, "why, I'm good! I am good."
She ironed her aprons. Her back was straight. Her eyes were mild, and soft with loving kindness.
Through some amazing grace, these works nudge you to spread your wings--to be a better person--to put a little love in your heart.

Wednesday, June 9, 2010

Inside Out


Last year, I read Daniel Goleman’s
Vital Lies, Simple Truths: The Psychology of Self-Deception because I was thinking about the inner being and the face one presents to the world. I was thinking also about Paul Ekman’s work with micro expressions--how one might be able to deceive with words, but how one's true emotions will leak out and give one away. Now I am reading Thomas Moore’s Soul Mates: Honoring the Mysteries of Love and Relationships which, in spite of the title, mostly concerns coming to a deeper knowledge of one’s self and one’s own soul—the desires and fears and dilemmas and mysteries with which we struggle. Our demons and our angels.

All right. So we have (or we are) this soul, this heavenly and demonic being, and we try to fit it into this world that demands from us certain obligations. We must work or marry or raise children or all of the above. We take this big inner being, this chaotic, passionate, inspired, crazy, impulsive, beautiful, ferocious mess of humanity, and squish and shove and squeeze it into some kind of semblance of what might pass for convention so we can get jobs/make friends/find mates/not scare people/not get arrested. We tell lies, to ourselves and others. We construct a self that is presentable/suitable/appropriate. We keep our real selves in check.

Like wily toddlers, some of us occasionally escape through the screen door when no one’s looking and run out naked through the sprinklers in the front yard shrieking with joy. Some of us create a life in which we get to have an alter ego or two. Some of us let the angels and demons out in our art or writing or music or dance. Some of us can’t bear the strain and we get a little neurotic. Or sink to the bottom of a bottle. Some of us are so wounded by the struggle that we sort of give up and our soul flattens out a little, lying down resentfully in a corner like a dog that never gets let off the leash. In a lifetime, we might try all of those things.

Last month, I was helping Bob Debris, a friend who is a photographer (if by “helping” we mean telling people they looked beautiful and tucking in shirts and pushing strands of hair out of faces and draping shoulders with glittery fabric and fastening a corset around the voluptuous waist of one beauty) as Bob took pictures of masses of humanity on Members’ Family Day at Lotusland in Santa Barbara. Not to suck up to Bob (though it might be a good idea, being as it is summer and he and his lovely wife Caroline Allen do have a pool), but first I will say that to watch this kind of artist at work is fascinating.In some of the photos, the models just did whatever they wanted. Other models seemed to inspire Bob, and he would start telling them what to do, how to move or turn, how to hold a hand up or shift a leg. Those images were the best, the most fun and the most funny, the ones that took on a new life. It was so interesting to see how some models would submit entirely and give themselves up to Bob’s vision. Others resisted flatly. Still others brought their own visions and inspirations to the image.

And then, if you can look past the fake fur and Mongolian armor and spears and plastic flowers and toy skulls and all the other props (or maybe the props are a means to the revelation), some of the images clearly present the mystery of the soul; that is, you see in the image the inner being, what seems like a previously hidden essence of the person that emerges in the flash of the bulb. How do that happen? You can see the Lotusland images here in all their glory. (You can see more of Bob's work here.)

Which brings me to the Alice Neel show at LA Louver. What astounds me about Alice Neel's work is that you walk away from the paintings and you actually feel as if you know something about the subjects--about who they are as human beings. Sometimes it's beautiful, sometimes it's ugly. Sometimes it can't be put in those terms, it's more of a sense or a mood. It's as if the artist has the ability to turn us inside out and reveal our secret selves to the world.


Saturday, June 5, 2010

Coming to your TV set: So You Think You're An Artist?


Forget summer returns. Art is now being turned into the next reality show. "Work of Art: The Next Great Artist", which debuts on cable channel  Bravo on Wednesday, June 9, pits 14 very different artists against each  other in weekly challenges and awards the winner a $100,000 prize and a  solo exhibition.

The question is, can highly personal, visual art be judged like a  gourmet dish or a ready-to-wear collection? And is the rarefied world of  art ready for a reality TV make-over? Another question the producers dodge is how the "artists" REALLY were chosen. Can we trust their judgment on art when, when, judging by the above photo, the artists are all young, attractive and quite photogenic. What - there are no good artists over, say, 50? No older men or women? Louise Bourgeois would have never made it through the first round; neither would most of the artists whose works now grace our museums and whom we value - the list is endless.

"The whole point of the show is that there is no right opinion.  Everyone has their own subjective view. But it is amazing every week  that there is a consensus about the quality of the work, and what's good  and what's not," said Dan Cutforth, one of the executive producers. So, does this means that the show has already been taped and the "contest" already decided?

"Good art really moves people and inspires a reaction. You know it  when you see it. The old chestnut 'I don't know much about art, but I  know what I like' is true," he told Reuters. How about some..oh, I don't know.. .smidgen of art history or background as to why people like what they do. How do you define good art - by only a reaction? Whose reaction? And what kind of reaction?

"Work of Art" comes from the same Magical Elves production company  that blended personality and the process of fashion design in "Project  Runway", and helped lift the lid on how food goes from good to great in  "Top Chef." 

In the first challenge, contestants ranging from 23 to 62 years-old  are randomly paired off and asked to produce a visual work that captures  the essence of their partner. A three-person panel of judges decides  who has responded best to the challenge, and who will go home. In future episodes, the contestants must create unique pieces in  mediums such as sculpture, photography, collage and industrial design.

"When we started reaching out to the art community, we were worried  that people would be against the idea of a reality show. What we found  was that people were pretty receptive," said Cutforth.

Or maybe they were desperate for a way to make a living; let's face it - if a contestant "wins" one of these shows, he or she has a shot at sales, a gallery and a huge step up in the competitive art scene. Artists don't live in an ivory tower, or, at least, those who have to pay the rent and put food on the table don't. I don't blame them for participating in this but it certainly can lead to a further degradation of any method of judging what's good and what's not. Far too often now, we judge solely by price; if a piece of art sells for a lot of money, it must be good. No sales equals bad art. By that standard, Van Gogh was a failure as were many artists whom we now value.

More than 2,000 people from oil painters to conceptual artists and  silk-screen experimenters applied to take part, reflecting the hunger  for a larger public canvas for an often misunderstood form of  expression. But will the show encourage more people to seek out art or simply be satisfied with what may be a visual version of McDonald's?

"One of our goals for this show is for people to realize that art is  all around them. It shouldn't frighten people to have opinions," said  Jane Lipsitz, Cutforth's Magical Elves business partner.

"People perceive art as being possibly elitist and a rarefied world.  So it would be amazing if we were to bring art more into the  mainstream," she said. Unfortunately for this laudable goal, the artists presented in the PR photo look, for the most part, young, attractive and today's version of hip. They don't look unique but more of the glossy, standardized model that we get on every other TV channel. Maybe the show will prove me wrong. I was appalled by the idea when I first read about it and I haven't seen anything that makes me feel otherwise. Or at least, not yet.

The TV show has been embraced by some professionals.  Mixed-media artist Jon Kessler and photographer Andres Serrano are  among the guest judges, while the permanent panel is made up of New York  gallery owners Bill Powers and Jeanne Greenberg Rohatyn, and New York  Magazine art critic Jerry Saltz. What? No 800-dial-in-your-choice-for-this-evening's-contestant? Any bests as to whether they will have a text messaging option set up by the end of the first week?

Art auctioneer Simon de Pury acts as mentor to the contestants, and  the series winner gets a prestigious solo show at the Brooklyn Museum,  the second-largest art museum in New York City.

"I think the art world is definitely risky. It would be very easy  for people to think this show is not for them. But I think people who  actually watch will be sucked in," said Cutforth.

I will watch. After all, it's summer and the TV pickings are slim. But I'm withholding judgment, which one does anyway with a new show. It just seems wrong that something that can be as life-affirming and soul satisfying as art is turned into a spectator sport in this fashion.

One wonders what Louise would say.