Bankrupt Solyndra company finds new ues for solar tubes

http://www.examiner.com/article/bankrupt-solyndra-company-s-solar-tubes-find-a-new-use-as-art

'Barry MGee' retrospective takes over the Berkeley Art Museum

Can an artist whose image is that of an urban outsider survive the move to museums and galleries?

http://www.examiner.com/article/barry-mcgee-retrospective-takes-over-the-berkeley-art-museum

'Phantoms of Asia' closing this Sunday at the Asian

http://www.examiner.com/article/phantoms-of-asia-closing-this-sunday-at-the-asian-art-museum

Out of the Wood and Into the Trees: Sonoma County Museum

Michael Cullen
Chest on a Stand
Friday August 24 is the opening of the annual Artistry in Wood exhibit at the Sonoma County Museum. The exhibit of fine woodworking is in collaboration with the Sonoma County Woodworkers Association (SCWA).
The Opening Reception is Friday, August 24 5-7pm
Possibly a coincidence, the museum is hosting two current exhibits featuring a woodworker's favorite raw materials:
Chester Arnold: Trees
and
Christo and Jeanne-Claude: Wrapped Trees
On Thursday Sept 6 at 6PM, nationally recognized furniture maker/designer Debey Zito will be discussing influences in her designs from Art Nouveau, Arts and Crafts, and Asian designs.

Posted by Phil Gravitt

The week ahead

Gallery opening at Arc, Creativity Explored and an interesting talk at the CJM:

RubySpam. Love Story.

http://www.examiner.com/article/arc-gallery-opening-4squared-creativity-explored-disorder-more

Naoya Hatakeyama at SFMOMA

 

Man’s relentless efforts to master the environment. That’s the underlying message I took away from my visit to SFMOMA to see the current exhibition of photography by Naoya Hatakeyama. But there is a twist.

The first images in the exhibition are of expansive landscapes featuring dramatic mountains. The mountains, other than being pretty held no obvious message, they are just “pretty.”

The images I found more appealing were of abandoned and working quarries and were photographed as grand landscapes and had a definite message. From an anthropological point of view they tell a dramatic story of the consequences of the archaic notion, so persistently maintained by human kind, that nature can and should be conquered. Hatakeyama’s work so clearly shows us that the fact that the earth will never bend to the human will is lost yet on another generation.

Hatakeyama demonstrates how this quest of humanity to dominate the very environment that gives it life, is carried out by every means that is violent. The irony is dramatically evident in his imagery of the aftermath of the 2011 earthquake and tsunami that devastated Japan. These images share a gallery with a sequence of photographs of quarry blasting, images that capture the brutally violent reality and consequence of the explosions. But still, what these images tell us is that despite every effort by “man,” nothing will ever match the violence of which nature is capable. Nature is the master and there is no such thing as conquering the environment.

Photos: © Naoya Hatakeyama

'When Artists Attack the King: Honoré Daumier and La Caricature, 1830-1835' at Cantor Arts Center

Long before Iranian cartoonist Mahmoud Shokraiyeh was sentenced to 25 lashings for drawing a parliament member in a soccer jersey, 19th-century caricaturist Honoré Daumier and his colleagues at the weekly Paris journal La Caricature endured prison sentences, fines, and litigation for their scathing portraits of king Louis-Philippe I of France, who came to power after the Revolution of 1830.

 The Cantor Arts Center presents 50 of these pioneering satirical works in “When Artists Attack the King: Honoré Daumier and La Caricature, 1830–1835,” which opens August 1. The exhibition, drawn entirely from the collection of the Cantor Arts Center, also features issues of La Caricature and large Daumier lithographs published for L’Association Mensuelle, a monthly print subscription,

More at: http://www.examiner.com/article/the-cantor-center-presents-19th-century-political-caricatures-by-daumier

Cindy Sherman at SFMOMA

Cindy Sherman. Untitled #92 (centerfold series).

http://www.examiner.com/article/cindy-sherman-at-san-francisco-museum-of-modern-art

Central Nigeria Unmasked:Arts of the Benue River ValleyCantor Art Center at Stanford

Even if it is just for the free parking on weekends close to the front door, the sunshine, or the Arizona cactus garden nearby, it is worth a trip to Cantor Arts Center at Stanford.

The Nigeria Unmasked exhibit includes 150 items showcasing various art forms and styles of two dozen not so well known ethnic groups living along the Benue River Valley.

Included are wooden figures, masks, clothing, shields, spears, plus recent paintings, photographs and sculptures.

Some of my favorites were a photo of boys in a hut that was wallpapered with American magazine covers; a metal and wood sculpture of two modern warriors with machine guns and ammo belts; and the above photo of BOTSWANA'S COWBOY METALHEADS by Frank Marshall.

Another reason to go to the Cantor is spending time in the Rodin Sculpture garden right before entering the museum, along with two rooms of Rodin sculptures inside.

After going through the musuem, head out the back door to the enclosed large courtyard holding Richard Serra’s heavy metal labyrinth sculpture, “Sequence.”

The Cantor also has several other exhibits including modern art and items from the Fisher collection. One wing holding the Native American basket collection is currently closed due to construction.

To round out the day, go to Bucks in Woodside for breakfast or lunch. The interior is a museum, the alligator carpet is a bit much, and the food is outstanding.

posted by Phil Gravitt

End of the month picks

Not that I can't think of a dozen more shows well worth seeing...

Ann Weber at Dolby Chadwick. @the artist. photograph Nancy Ewart

http://www.examiner.com/article/dolby-chadwick-calligraphy-sf-arts-commission-asian-art-museum?cid=db_articles

Raunch and irreverence at the San Jose Museum of Art

Bawdy irreverence, iconoclasm, parody, and puns are hallmarks of the work spawned by the art department at the University of California, Davis, in the 1960s and 1970s. In keeping with the counterculture of the time, the tone of this humor was often aggressive and transgressive......

Walter Robinson’s larger-than-life, hot pink and melting animal cookies point to the realities of global warming, part of the current exhibit at the SJMA.
http://www.examiner.com/article/renegade-humor-at-the-san-jose-museum-of-art-thiebaud-at-the-berggruen

George KrevskyArt of Baseballcontinues

Robert Marosi Bustamante
Lincecum's Stride

The George Krevsky Art of Baseball exhibit continues at 550 California St. until mid July.

posted by Phil Gravitt

Nina KatchadourianSeat AssignmentCatharine Clark Gallery

Wigeon

I stumbled across Catharine Clark Gallery in the alley next to SFMOMA. The name sounded familiar, so I asked if they used to be somewhere else. Turns out they moved to 150 Minna Street five years ago from 49 Geary. So much for my motto, "Always on the Pulse of the Local Art Scene."

Katchadourian's creativity is boundless. She is possibly the most productive airline passenger ever to ask for more peanuts. Many of her photographs may have been staged right on her tray table, using airline magazines overlaid with peanuts, straws, black fuzz, whatever.

Self Portrait in the Flemish Style

Lavatory lines are already too long, however her photos and videos of Lavatory Self Portraits in the Flemish Style are worth the wait.

Gorilla Sweater

The Katchadourian show closes on June 9. If you go in the next 48 hours, suggest wearing fireproof suit and welders helmet left over from recent eclipse viewing, as I had to wade through a Milky Way of flying sparks to get to the Gallery.

The molten light show eminated from the middle of the street, where McGyver was adapting the ends of large black metal pipes with a power saw.

Upon further review, my clothes are intact; the sparks just seemed closer than they were. I'm sure Katchadourian would have captured the sparks and turned them into something special.

posted by Phil Gravitt

16th Avenue & Moraga Tiled Steps Project

For a little exercise, great views and beautiful tile work, visit The 16th Avenue Tiled Steps Project in San Francisco. The 163 tiled steps are an extention of Moraga Street between 15th and 16th Avenues, leading to Grand View Park.

The project was started in 2003 and completed in 2005. The design for the steps was created by local SF artists Aileen Barr and Collette Crucher. The San Francisco Parks Trust, now called the San Francisco Parks Alliance, sponsored the project, with the support of the Golden Gate Heights Neighborhood Association.

There are plenty of landings on the stairway for resting on the way up. The 10 to 15 foot wide open space on either side is filled with an interesting variety of plants, donated and planted by many people and groups, including the San Francisco Succulent and Cactus Society.

It is kind of amazing to think of the time, effort and cooperation it took to create this project, and still takes to maintain it.

It is worth a trip, or just an easy and fun detour off 19th Avenue if you are passing through.

Factoid: There are more than 1000 public stairways and paved paths in the Bay Area.

posted by Phil Gravitt

INTERNATIONAL ORANGE: The Bridge Re-imagined

Kids from 2 dozen SF public schools reimagine and recreate the Golden Gate Bridge with artworks in various medium.

Through August 4 at the Mills Building, 220 Montgomery Street, San Francisco.

The exhibition curator is Richard Olsen. Presented by The San Francisco Arts Education Project in cooperation with the Golden Gate National Parks Conservancy.

posted by Phil Gravitt

'Earthquake' opens at the California Academy of Sciences

A whole lotta shaking going on....

http://www.examiner.com/article/earthquake-opens-at-the-academy-of-science

"Phantoms of Asia' at the Asian Art Museum

The new show at the Asian Art Museum is at the top my my Memorial Day Weekend picks but the rest of the shows around the bay ain't half bad either. The "Cult of Beauty," the V&A's tribute to Victorian arts and crafts is still at the Legion while the de Young features several shows, including one showcasing the cutting edge prints of Roy Lichtenstein and Claes Oldenburg. There is art from Nigeria at the Cantor and SFMOMA is hosting the first of many tributes to the Golden Gate Bridge which celebrates its 75th anniversary this year.

The red lotus that was just installed in the Civic Center Plaza is the outside symbol of an exciting, exhausting and bold exhibit inside the Asian Art Museum, now located inside the revamped  Beaux Arts building that formerly housed the old San Francisco Public Library.

http://www.examiner.com/article/take-an-art-break-this-memorial-day-weekend

Last DayBest of DoubleClickSF City Hall Gallery

Last day for Best of DoubleClick photo exhibit at SF City Hall Gallery. You can vote at the same time.

posted by Phil Gravitt

The world of the senses, Tibetan art at the Exploratorium

http://www.examiner.com/article/the-world-of-the-senses-on-view-at-the-exploratorium-san-francisco

Free admission this weekend

To the Oakland Museum and a dozen other places. Such a deal!


http://www.examiner.com/article/free-museum-weekend-around-the-bay-area?CID=examiner_alerts_article

“Scapes”Elena ZolotnitskyPaul Mahder Gallery

This solo exhibition of new oil paintings showcases Zolotnitsky's skill at portraying emotional facial expression with limited facial detail.

The show runs through June 12 at Paul Mahder Gallery on Sacramento Street in SF.

The first two weekends in June, Zolitnitsky is participating in East Bay Open Studios, in Berkeley.

Paintings Tolstoy Cuture (left) and Nude on Green (right) shown above from artlondon.com

posted by Phil Gravitt

Buckminister Fuller at SFMOMA

To boldly go where no man has gone before," might have been Buckminster Fuller's motto, which is well demonstrated by the current show at the San Francisco Museum of Modern Art (SFMOMA). While not a retrospective, there is more than enough to overwhelm the visitor.
http://www.examiner.com/article/bucky-fuller-s-utopian-vision

On Apology CCA Wattis Institute for Contemporary Art

On Apology is a study on the now prevalent spectacle of the public apology, and is produced by the graduating class of the Graduate Program in Curatorial Practice at the CCA Wattis Institute. The exhibition consists of two floors of video, several walls of text, and a 20 page paper handout.

The videos I found most intriguing were Australian Shaun Gladwell’s Apologies 1-6, six videos running a total of 27 minutes. I saw two of the six videos. In each one, the camera is looking down a different two-lane road blurring and stretching into the desert. A road kill kangaroo lies in the gravel on the left side of the road, fairly close to the camera, and in focus.

In one video, a white tractor trailer and a smaller black vehicle are coming up the road. A motorcycle rider dressed completely in black, riding a black motorcycle, crosses the screen and appears to almost run over the kangaroo. As the motorcycle rider parks nearby and walks toward the kangaroo, it becomes clear that the film is in slow motion and the distances are distorted.

The rider looks like he is almost standing over the kangaroo, however he walks about thirty feet back to the kangaroo from his motorcycle. The tractor trailer and black vehicle, which were close when the film started, are taking forever to get closer.

The motorcycle rider carefully looks over the body of the kangaroo, gently touching its head while brushing away flies. The rider's slow motion hand movements suggest he is wafting incense in a religious ceremony. Eventually the rider picks up the kangaroo and wanders out into the road, as if apologizing for what had happened before he arrived.

Gladwell didn’t stage the kangaroos; each sequence was filmed where the kangaroo was found.

In addition to Shaun Gladwell, the exhibit includes works by Erick Beltrán, Mark Boulos, Keren Cytter, Omer Fast, Ragnar Kjartansson, Amalia Pica, Slavs and Tatars, Cassie Thornton, Dawn Weleski, and Artur Zmijewski.

Photo from Apology To Roadkill 2007, Sydney Morning Herald

CCA Wattis Institute for Contemporary Art On Apology
April 19 to May 19, 2012
Upper and Lower Galleries, Kent and Vicki Logan Galleries
1111 Eighth Street (at 16th and Wisconsin)
San Francisco

The CCA Wattis building appears to take up the whole block. Many rooms are just walls open to the high ceiling, reminiscent of a short, modern Cow Palace, except with wonderful natural light. Flash mob classes take place in the large wide center of the hall running the length of the building. Chairs, display tables and rolling billboards are moved into place for a class, and when it is over, people and equipment disperse quickly in all directions.

Some displays and projects from various design and graphics classes remain along the side walls. I walked along about 15 feet away, squinting while trying to make out the detail in each one without disturbing the small classes nearby.

One architectural model caught my eye. A large walled patio, built of tan cement, was populated with several white three-legged plastic tables, green and yellow shrubs, colorful curved rocks, and dark pools. Half the patio was shaded by a leaning wall awning above. I wondered why there were no chairs with the tables.

As I got further away, I looked back and realized it was an empty pizza box.

Parking is a little tight at CCA. If you don’t live close enough to walk, and don’t have a bicycle or motorcycle, take a cab. If you drive, I recommend a Smart car with curb feelers, a low profile windshield wiper, and the bumpers removed.

posted by Phil Gravitt

Weekend Picks; Theophilus Brown, Chinese Historical Society

Theophilus Brown at Thomas Reynolds Gallery. Three Horses
acrylic on paper. 4 x 6 inches. 1977

http://www.examiner.com/article/weekend-picks-theophilus-brown-andrea-schwartz-chinese-historical-society?CID=examiner_alerts_article

Friday night boogie at the de Young

It's Friday night and you just got paid? Well, if not, no matter because many of the Friday night events at the De Young are free! You can see a fashion show, watch a film or boogie to music by the Fashion Slaves who perform originals, including "Suffer for Fashion" and "Loud-Mouth Girl" along with their version of "Going Down."

http://www.examiner.com/museum-in-san-francisco/weekend-picks-friday-night-at-the-de-young-botanical-gardens-oakland-museum?CID=examiner_alerts_article

The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk

Experience the fun and lively atmosphere of the DeYoung’s gargantuan Jean Paul Gaultier fashion exhibit. This King Tut Haute Tutu show is in the Herbst Special Exhibition Galleries downstairs, instead of the upper gallery sometimes remade into the world’s darkest dress shop for past fashion exhibits.

There is so much to take in, the DeYoung might need a golf cart to take absorption overload zombies back to their cars.


Gaultier creates wild and outlandish designs with incredible artistry and intricate detail, and somehow makes them look comfortable and sensible at the same time. Why put a bow there when whiskers are available?

The exhibit includes quite real animated mannequins, a large number of video screens, sketches, photos, and a moving runway of mannequins. Many collections are represented, including Mermaids, Hussars, Chic Rabbis, and Russian. Get up close and see the fabric is really 1000 hours of beadwork.

Mermaids photos above from Pinterest and Fashionising

Night of the Iguana photo below from nearfardarklight

posted by Phil Gravitt

SFMOMA purchases Edward Hopper's "Intermission"

http://www.examiner.com/museum-in-san-francisco/sfmoma-purchases-edward-hopper-s-intermission

Parallel Visions at Creativity Explored

 You Are Unemptiable by Louis DeMarco © 2010 Project Onward

Parallel Visions, the latest exhibition at Creativity Explored Gallery, shows work by artists from five different arts and disability organizations in conversation with work made by selected artists at Creativity Explored. The resonance felt between these artists, working in disparate studios across the globe, is uncanny and inspiring.

This show assembles a group of artists who emphasize drawing processes and repetitive mark making to create their work. A range of artwork is on view, though three distinct themes emerge: abstract works; figurative ink drawings; and, work comprised of poetic text and number systems.

More at: http://www.examiner.com/museum-in-san-francisco/parallel-visions-at-creativity-explored?CID=examiner_alerts_article

Weekend Picks: Chinese Historical Society, Mail Art, Intersection for the Arts

One of Jake Lee's watercolors of "Old Chinatown" now showing at the Chinese Historical Society (image courtesy Chinese Historical Society).

In the early 1960s, restaurateur Johnny Kan commissioned a series of water color paintings by artist Jake Lee. For many years, these stunning paintings hung in the private Gum Shan (“Gold Mountain”) dining room of the landmark Kan’s Restaurant in San Francisco’s Chinatown.

The fascinating back story at the NY TImes: http://www.nytimes.com/2011/02/11/us/11bcculture.html
http://www.chsa.org/

More weekend picks at: http://www.examiner.com/museum-in-san-francisco/weekend-picks-chinese-historical-society-mail-art-intersection-for-the-arts

Dale Erickson, Pam Heyda, Sandy Yagi

It's not often that three of my artists friends are showing their work at the same time.

Dale Erickson. Lemons and Reflections. ArtZone 461, SF

Pam Heyda, Gum Drop Boat, Studio Gallery, SF

Sandy Yagi,  Hummingshrew, Watercolor on paper,  2012, 16 x 11-5/8 

The Bone Yard, Berkeley.

http://www.examiner.com/museum-in-san-francisco/weekend-picks-artzone-461-studio-gallery-the-bone-yard-and-more?CID=examiner_alerts_article

Weekend Picks; Letterpress in Oakland, Nieto Fine Arts, SF History Expo

 John A. Nieto, photographs now at Nieto Fine Arts

From John A. Nieto's statement: "There’s an energetic match that’s unique to every photographer and their “work”. Because most of my images are fleeting moments of my life, they are a certain testament, or reflection of my attitude on life. A pathway to my beliefs. "

"I’ve often wished to photograph dancers and as I watched and participated in a night swim recently, I became mesmerized by the drama the underwater pool light cast and how it adds so much mystery to the beauty of witnessing a human body in full motion. These moments became the dancers I’ve hoped to photograph contained in the “Aquatic Ballet Series” shot in Palm Springs, California."

More at:
http://www.examiner.com/museum-in-san-francisco/weekend-picks-letterpress-oakland-nieto-fine-arts-sf-history-expo

Do Not Destroy: Trees, Art and Jewish Thought

April Gornick.  Light in the Woods, 2011

The inspiration for the “Do Not Destroy: Trees, Art and Jewish Thought” exhibit at the Contemporary Jewish Museum in San Francisco, is a commandment from the Old Testament: “When thou shalt besiege a city a long time, in making war against it to take it, thou shalt not destroy the trees thereof by wielding an axe against them; for thou mayest eat of them, but thou shalt not cut them down.”

More at: http://www.examiner.com/museum-in-san-francisco/do-not-destroy-trees-art-and-jewish-thought-at-the-contemporary-jewish-museum-review?CID=examiner_alerts_article

The Cult of Beauty at the Legion of Honor

Frederic Leighton, Pavonia, 1858–9, oil on canvas. Private collection

http://www.examiner.com/museum-in-san-francisco/the-cult-of-beauty-the-victorian-avant-garde-1860-1900-at-the-legion-of-honor-review

Katherine Westerhout at Electric Works Gallery

I just wanted to write a little note about how fascinated I was with Katherine Westerhout's photos of an abandoned indoor swimming pool, and her photo of calcification of lime mortar around the windows of an abandoned building, now on display at Electric Works Gallery in San Francisco.

Then I checked out Westerhout’s web site, which led me to search on “Calcification of mortar” and “Grossinger’s Pool,” which led me to more photos of abandoned buildings and blogs by Jonathan Haeber aka TunnelBug, which led me to read his senior thesis for a Landscape Architecture course on the history of miniature golf, but since it took up all my allotted writing time,

The End

posted by Phil Gravitt

Tables of Content: Ray Johnson and Robert Warner Bob Box Archive

"The most well-known unknown American artist" died in a suicide drowning 13 January 1995, after lifetime as unique and perplexing as his art.

Ray Johnson:Untitled valise from Bob Box Archive, 1988–95; mixed media; dimensions variable. Photo: Tod Lippy, from Esopus 16 (Spring 2011).


http://www.examiner.com/museum-in-san-francisco/tables-of-content-ray-johnson-and-robert-warner-bob-box-archive-at-the-bam?CID=examiner_alerts_article

More ways to avoid the Super Bowl (if you wish)

Free admission for the lunar year celebrations at the Asian and the SJMA plus Pacific Arts of Asia at Ft. Mason

Chair for the Palace, Pacific Arts of Asia

http://www.examiner.com/museum-in-san-francisco/the-year-of-the-water-dragon-celebrations-at-the-asian-and-sjma

How to avoid Super Bowl Sunday

Blue Face with White Stripe" (1971), pigmented stoneware and porcelain, by Stephen De Staebler. (Photo: Philip Ringler)

http://www.examiner.com/museum-in-san-francisco/how-to-avoid-super-bowl-sunday

Celebrate the Year of the Dragon

 Bowl with a pair of dragons. Qing dynasty (1644-1911), Reign of the Kangxi Emperor (1662-1722). Porcelain with incised decoration, yellow glaze, polychrome enamels. China | Jiangxi province. The Avery Brundage Collection

As the Bay Area's Asian-American population approaches 2 million, its cultural diversity has grown. The Bay Area is now home to Mongolian, Tibetan, Cambodian, Laotian and Vietnamese populations, each with their own distinctive traditions and celebrations. Many of the celebrations are rooted in Buddhist beliefs, a spirit of sharing, a hope for abundance and prayers of peace. The Year of the Dragon's celebrations were kicked off with the first rain of the year - a good sign because it means abundance.

http://www.examiner.com/museum-in-san-francisco/year-of-the-water-dragon-celebrations-the-bay-area

Honoring MLK in 2012. SF events and activities

http://www.examiner.com/museum-in-san-francisco/honoring-martin-luther-king?CID=examiner_alerts_article

YBCA choses a new director

Marc Bamuthi Joseph. Photo: Bethanie Hines Photography.

After a nationwide search, Yerba Buena Center for the arts (YBCA)  has chosen a new director, Marc Bamuthi Joseph ...

http://www.examiner.com/museum-in-san-francisco/yerba-buena-center-for-the-arts-choses-a-new-director-marc-bamuthi-joseph

UC Davis receives $10 million dollars for new museum

 Maria Manetti Farrow, Jan Shrem, Chancellor Linda P. B. Katehi, Dean Jessie Ann Owens . Photo: Robert Durell.   

Jan Shem, proprietor of Clos Pegase winery in Napa Valley has just donated $10 dollars to UC Davis to help build a new museum.

The museum will serve as a teaching and cultural resource for the region and provide opportunities to share the university’s artistic legacy, enhance its fine arts collection, and create new partnerships and collaborations.

Slated for completion in 2015, the museum will be named for donor Jan Shrem and his friend and arts patron Maria Manetti Farrow.

Born in Colombia of Jewish-Lebanese heritage, Shrem grew up in Jerusalem and moved to the U.S. as a teenager. After studying at UCLA, he built a successful publishing business in Japan, studied enology at the University of Bordeaux and later created the 450-acre wine estate, Clos Pegase. Shrem is now a member of the Director’s Circle for the San Francisco Museum of Modern Art, and serves on the board of the Family Winemakers of California.

“After our dear friend, Margrit Mondavi, introduced the idea of the new museum, we decided it would be an honor to join her in supporting this extraordinary university and in sharing its vision for the future,” Shrem said. “Our philosophy of giving rests on simple concepts: We believe that education and the arts should be accessible to all people. And we believe that a curious and open mind should be nurtured and supported. Fortunately, the project at UC Davis has introduced us to people who profoundly share this philosophy. It is with deepest pleasure that we are able to help bring this new museum to life.”

Shrem’s gift will be counted as part of The Campaign for UC Davis, a university wide initiative launched in 2006 to inspire 100,000 donors to contribute $1 billion in support of the university’s mission and vision.

To date, $749 million has been raised from 85,000 donors. The gift is one of the largest ever received for the arts at UC Davis, and is the largest gift received to date by the College of Letters and Science. It is the fourth largest cumulative gift from an individual donor to The Campaign for UC Davis, and the sixth largest gift from any donor to the campaign. 

http://www.examiner.com/museum-in-san-francisco/university-of-california-davis-receives-a-10-million-gift-for-a-new-art-museum

SFMOMA Artists Gallery Portrait Show & Andy Warhol at the Berkeley Art Museum

 Winni Wintermeyer, Thao Nguyen, 2011

The focus this month is on the portrait at SFMOMA Artists Gallery Portrait Show as artists Kim Frohsin, Claire Pasquier, Winni Wintermeyer explore the portrait. The Berkeley Art Museum will be showing 40 of Andy Warhol's polaroid portraits of the famous and not-so-famous.

http://www.examiner.com/museum-in-san-francisco/sfmoma-artists-gallery-portrait-show-andy-warhol-at-the-berkeley-art-museum

Bay Area artists to celebrate the 75th anniversary of the Golden Gate Bridge

My arms are flung across the deep,
Into the clouds my towers soar,
And where the waters never sleep,
I guard the California shore.
Chief Engineer, Joseph Strauss (upon completion of the Golden Gate Bridge, 1937)

Celebrated by poets and painters, known as the “gateway to the Pacific,” the Golden Gate Bridge has been considered the the iconic symbol of San Francisco since it was finished in 1937. 2012 marks the 75th anniversary of this remarkable landmark.

To celebrate the bridge's 75th anniversary,  fifteen artists from the Bay Area and around the world will create on-site installations responding to the bridge as an icon, historic structure, and conceptual inspiration. Adopting the title "International Orange" from the bridge's color and organized by the nonprofit FOR-SITE Foundation,  the exhibits and installations will occupy selected areas of all three floors and the spacious courtyard of the historic Fort Point building.

http://www.examiner.com/museum-in-san-francisco/nancy-ewart