
Brief report on Open Studios at Hunters Point.

Detail of the acrylic raised surface on Bernie's paintings:
Robert Burg had quite a few new paper constructions, plus a series of drip paintings.
Nartan modeled one of her fashion creations.
Anna Efanova was also making a sale. Her studio was filled with eclectic sculptures, prints, and paintings of mostly surrealistic creatures.
Heather Robinson has a big new body of work, using stitchery in her mixed media panels, with a recurring theme of openings, peepholes, or directed views. The space she shares with a handful of other artists, a little storefront called Secession, was the best looking space I saw this weekend.
It's very attractive, very inviting, filled with interesting things to look at and buy. Everyone was so hospitable, I hated to leave. I've noticed more and more of this kind of art sales space - geared more toward the retail model and less toward the white walls (museum) model. Seems to be working.

Shawn Ray Harris has expanded his series of 3D anaglyphs (photo-based line images, red/cyan) to include graphic novel styled layouts and narrative. They're really cool looking, and original. I told him they would make a great iPad app, and told him where he could get it made. Then he told me about another artist in his building, Hugh Buck, who has started painting on his iPad and making the printouts at Costco.
Shawn took me upstairs to see Hugh's work and I was blown away! This guy should be doing covers for the New Yorker. Seriously - wish I had better photos - he doesn't have a web site I can direct you to, either. See if you can pick out the Gavin Newsom caricature.
I first heard of illustrator, author and designer Maira Kalman when a friend forwarded her New York Times blog, about a trip to City Hall and a sewage treatment plant. Her funny, interesting and educational story was intermingled (intertwingled?) with paintings and photographs of what she saw along the way and at the plant.
Like a good San Franciscan, I tried to take the Muni railway to the museum. But then there was a switching problem, followed by a few and far between bus and trolley problem, and then a full to the brim bus, trolley and cab problem. Finally made it to the museum about an hour and a half after I left. 
If you cannot make it to the Legion or the De Young, try a free quick trip through the "Views of Paris" exhibition in the Concourse Gallery, 555 California Street, San Francisco. Paintings are from Le Trianon Fine Art, currated by Casey & Associates.

I was lucky enough to get a private tour of this show with the curator, Bill Eddelman. His knowledge and enthusiasm for toy theater is infectious and I soon found myself imagining my own handmade dioramas. The assembled theaters, full of 2D actors and stage sets, tiny lights, toy furniture and paper moons, were mostly in glass cases - good thing because I had an irresistible urge to put my hands in them and start moving things around. Took me right back to childhood.
The theaters are from all over the world and the show is organized by country of origin. Mostly classical fairy tales and opera are represented, and they're mostly Victorian Era theaters (ranging from the 18th century to present.) Besides the constructed theaters, the walls are full of flat printed sheets of more paper-doll-like actors, backdrops and props.
For those of us who like to know what goes on behind the curtain, the construction and workings of the theaters can be seen from the sides. I was reminded of contemporary artists who have recently exhibited work with toy theaters - Sandow Birk and William Kentridge. And I couldn't help thinking that this is a art form that would appeal to the SteamPunk and Make crowds.
More photos at MPD's Flickr site.