The Fisher Museum is a no-go for the Presidio. I wrote at the time:
Even if the Fisher Museum is built, will it be able to generate enough revenue to support itself or will it be a money sink? Very few museums are profitable; they live off their endowments, grants and any other revenue producing properties that they may own. Furthermore, what impact will the construction of all these buildings have? How many building projects have been built on time and within the budget? What about cost overruns? Construction boondoggles? I do not trust the powers that be and perhaps that’s the bottom line. If the door is opened a crack, how much wider will it be forced open? Can we be really looking at a dozen more super-towers of luxury apartments lining up along the bay? We can’t see it now but it’s a real mistake to assume that everybody is honest, ethical and eco-friendly where there’s money to be made.
CM Nevis thinks is a classic case of "not in my backyard" but dismisses the very real issues involved. While the collection may be first class, the choice of site was inappropriate. This wasn’t simply a NIMBBY issue; it was a serious problem involving an inaccessible site without public transportation and a building that would have negatively impacted the existing environment. The footprint would have been huge and while the Fisher’s claim that they would donate the money to build it, what about staffing and future upkeep – and who will ultimately own the complex? Reading through the 521 comments at SF Gate was a depressing exercise. Obviously the park and environmental activists have not done a good job in educating the public because most of the comments were hostile and uninformed. This wasn’t a free gift but a 21st century land grab. The complex would have included a 119-room hotel, meeting space, a restaurant and a bar; two new theaters and a heritage center. Who would ultimately have owned all these buildings and who would have ultimately been responsible for their upkeep? Who would get the revenue, if any? The editorial is severely one-sided since Nevius overlooks the fact that building the museum there would have violate the terms of the Presidio Trust. The ultimate decision was made by the federal government, not San Francisco.
The good thing about this is the possibility that the collection (or part of it) might go to enrich SFMOMA, a far more accessible space. If Mr. Fisher wants more public acclaim, maybe they can rename the museum the Don Fisher/San Francisco Museum of Modern Art and put his name in big letters over the entrance?
Kenneth Baker reviews the Tutankhamen exhibit and is haughty dismissive of blockbusters and those who host them. But he raises a number of questions regarding the proper use and funding of museums, which I will attempt to discuss in a future post.
An Artist's Reality Show:
When I first read about this, I thought it was a joke, but apparently it’s serious. Richard Lacayo writes that Sarah Jessica Parker and Bravo are going ahead with a Top Chef like competition for artists.
“In each episode of the series, contestants will create unique pieces highlighting art's role in everyday life, while they compete and create in a range of disciplines including sculpture, painting, photography and industrial design (to name a few). In working beyond their preferred mediums, artists will have to adapt quickly in order to succeed. Completed works of art will be appraised by a panel of top art world figures including fellow artists, gallerists, collectors, curators and critics. The finalists' work will be showcased in a nation-wide museum tour.
This leads to a few questions. Are these artists, curators and critics going to issue the snap judgments that judges on Top Chef and Project Runway pronounce? You might be able to get away with that when you're talking about a tuna tartare on a pool of lingonberry foam but I don't think it will work for something, like art, that takes a little longer to process. And where will they find people even willing to try?
Hmmm....Jeff Koons, check your messages.”
Are artists really that desperate for fame and fortune? I'm one and I know that I'd rather have a visit from the Spanish Inquisition than under participate in this humiliating show.