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The glitter work in this series is stunning. Jamie really knows how to push glitter around. At first I questioned the raw wood, or stained wood parts of the paintings in this series. They seemed less refined than her last series, as if they were rushed or not finished. I think the areas of rest in her paintings are just as important as the glitter parts, your eyes need a break from all that glitter, without the spaces, her work would seem more like objects instead of paintings. The story would be lost without a little breathing room. But these spaces, they puzzled me. The glitter parts of the pieces are so meticulously applied, why rush on the other parts. But then I thought about disintegration, and they do feel like they are disintegrating a bit. Like the world around the girl and the kill are dissolving before our eyes. Like the act of hunting and killing the animals, and a loss of innocence is the cause of the disintegration. The more I considered this idea, the more solid the paintings looked to me, the more they made sense. The images are of a type of disintegration. They need parts that don't quite make sense. In the end I thought all of her choices in execution made sense for the imagery. I think you can especially see that in this piece:
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Jamie has managed to blow me away again. I wish I wasn't paying off student loans, I would love to take one of these home.
Jamie Vasta
Kills
Patricia Sweetow Gallery
77 Geary, Mezzanine
January 8th - February 14th, 2009
1 comment:
Thanks.. Great Blog!
Thanks for pointing out Jamie's work.
I loved what you wrote about Jamie Vasta's paintings.. and after seeing these some of these paintings down in Art Basel'09, I agree 100% with you.
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