http://www.examiner.com/article/phantoms-of-asia-closing-this-sunday-at-the-asian-art-museum
Friday, August 31, 2012
Wednesday, August 22, 2012
Out of the Wood
and Into the Trees:
Sonoma County Museum
Michael Cullen
Chest on a Stand
Friday August 24 is the opening of the annual Artistry in Wood exhibit at the Sonoma County Museum. The exhibit of fine woodworking is in collaboration with the Sonoma County Woodworkers Association (SCWA).
The Opening Reception is Friday, August 24 5-7pm
Possibly a coincidence, the museum is hosting two current exhibits featuring a woodworker's favorite raw materials:
Chester Arnold: Trees
and
Christo and Jeanne-Claude: Wrapped Trees
On Thursday Sept 6 at 6PM, nationally recognized furniture maker/designer Debey Zito will be discussing influences in her designs from Art Nouveau, Arts and Crafts, and Asian designs.
Posted by Phil Gravitt
Chest on a Stand
Friday August 24 is the opening of the annual Artistry in Wood exhibit at the Sonoma County Museum. The exhibit of fine woodworking is in collaboration with the Sonoma County Woodworkers Association (SCWA).
The Opening Reception is Friday, August 24 5-7pm
Possibly a coincidence, the museum is hosting two current exhibits featuring a woodworker's favorite raw materials:
Chester Arnold: Trees
and
Christo and Jeanne-Claude: Wrapped Trees
On Thursday Sept 6 at 6PM, nationally recognized furniture maker/designer Debey Zito will be discussing influences in her designs from Art Nouveau, Arts and Crafts, and Asian designs.
Posted by Phil Gravitt
Tuesday, August 21, 2012
The week ahead
Gallery opening at Arc, Creativity Explored and an interesting talk at the CJM:
http://www.examiner.com/article/arc-gallery-opening-4squared-creativity-explored-disorder-more
RubySpam. Love Story.
http://www.examiner.com/article/arc-gallery-opening-4squared-creativity-explored-disorder-more
Friday, August 3, 2012
Naoya Hatakeyama at SFMOMA
Man’s relentless efforts to
master the environment. That’s the underlying message I took away from my visit
to SFMOMA to see the current exhibition of photography by Naoya Hatakeyama. But
there is a twist.
The first images in the
exhibition are of expansive landscapes featuring dramatic mountains. The
mountains, other than being pretty held no obvious message, they are just
“pretty.”
The images I found more
appealing were of abandoned and working quarries and were photographed as grand
landscapes and had a definite message. From an anthropological point of view
they tell a dramatic story of the consequences of the archaic notion, so
persistently maintained by human kind, that nature can and should be conquered.
Hatakeyama’s work so clearly shows us that the fact that the earth will never
bend to the human will is lost yet on another generation.
Hatakeyama demonstrates how
this quest of humanity to dominate the very environment that gives it life, is
carried out by every means that is violent. The irony is dramatically evident
in his imagery of the aftermath of the 2011 earthquake and tsunami that
devastated Japan. These images share a gallery with a sequence of photographs
of quarry blasting, images that capture the brutally violent reality and
consequence of the explosions. But still, what these images tell us is that
despite every effort by “man,” nothing will ever match the violence of which
nature is capable. Nature is the master and there is no such thing as
conquering the environment.
Photos: © Naoya Hatakeyama
Thursday, August 2, 2012
'When Artists Attack the King: Honoré Daumier and La Caricature, 1830-1835' at Cantor Arts Center
Long before Iranian cartoonist Mahmoud Shokraiyeh was sentenced to 25 lashings for drawing a parliament member in a soccer jersey, 19th-century caricaturist Honoré Daumier and his colleagues at the weekly Paris journal La Caricature endured prison sentences, fines, and litigation for their scathing portraits of king Louis-Philippe I of France, who came to power after the Revolution of 1830.
The Cantor Arts Center presents 50 of these pioneering satirical works in “When Artists Attack the King: Honoré Daumier and La Caricature, 1830–1835,” which opens August 1. The exhibition, drawn entirely from the collection of the Cantor Arts Center, also features issues of La Caricature and large Daumier lithographs published for L’Association Mensuelle, a monthly print subscription,
More at: http://www.examiner.com/article/the-cantor-center-presents-19th-century-political-caricatures-by-daumier
The Cantor Arts Center presents 50 of these pioneering satirical works in “When Artists Attack the King: Honoré Daumier and La Caricature, 1830–1835,” which opens August 1. The exhibition, drawn entirely from the collection of the Cantor Arts Center, also features issues of La Caricature and large Daumier lithographs published for L’Association Mensuelle, a monthly print subscription,
More at: http://www.examiner.com/article/the-cantor-center-presents-19th-century-political-caricatures-by-daumier
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